Rosie Scott Blog about Women

It’s been a meteoric rise to success for James Corden. Since taking over The Late Late Show this year, the British comic has found himself starring in parody ads with David Beckham and on the runway for Burberry Prorsum in Los Angeles alongside Naomi Campbell. Now he’s tackling his greatest fashion feat yet: hosting the CFDA Awards on June 1. In advance of the ceremony, we caught up with Corden to talk personal style, his take on the fashion set, and who’s a better model—him or Derek Zoolander.

I have to say, I’m really excited to see you at the CFDA Awards.

Well, I’m very nervous about it. I don’t really know what I’m going to say. I feel like my fashion knowledge is not great, so we’ll see.

But you have a lot of good fashion experience already.

Do I?

You posed with David Beckham, you were on a runway for Burberry—not just anyone gets to do that. Plus, Naomi Campbell taught you how to model.

She did.

How were you first approached about hosting the CFDAs?

Anna Wintour, who is a very, very wonderful and supportive woman, said, “Do you want to host the CFDAs?” And I said, “Yes.” That’s pretty much how it happened.

A lot of award shows typically involve some skewering of the guests. Is that something that we might expect at the CFDAs this year?

That’s not really my style. I’m much more about fun before funny. I’m going to try and make it a warm place to be, and one that’s fun, where people are relaxed and have a nice time. That’s what I’d really love to do.

Fashion people can tend to take themselves pretty seriously. Are you concerned that they might be a tough crowd?

You say that, but actually, my experience of people in fashion is that they’re very, very lovely. Christopher Bailey asking me to close [Burberry’s] runway show is the best example of someone not taking himself hugely seriously. My experience of meeting people in fashion is that they take what they do very, very seriously, but don’t necessarily take themselves hugely seriously in that respect. I hope they’re up for some fun.

Is there anyone you’re looking forward to meeting at the ceremony?

Pharrell, I think, seems to just have that ability to wear anything and it’s fine and it looks great. If I wore one of those hats, I’d just look a dick, whereas he just seems to be able to pull off anything he ever wears. So I’m looking forward to seeing what threads he’s rocking that day.

In your experience so far with fashion, have you gotten any really good styling advice from anyone?

It’s easier for a man because you’ve just got to put a suit on. You just got to cut it right, and Tom Ford is someone who’s been very—it’s very difficult to wear a Tom Ford suit and look terrible, you know? I don’t have a massive amount of fashion experience, really, but I enjoy it. I think ultimately, what it is, is that [fashion] is a group of people who essentially makes you feel good every time you leave the house. And that’s a wonderful thing, to gain any sort of confidence when you put on a good jacket or a good shirt, pair of pants. That’s why I’m very, very grateful to them.

Could you allude to anything else that we might be able to expect at the CFDA Awards?

I’m thinking about opening with a song. I don’t know what song or what it’s going to be, but I’m thinking about opening with one.

Bold.

Yeah, but we’ll see. I might not.

You closed the Burberry show in London, and earlier in the year in Paris, Derek Zoolander closed Valentino. Do you feel that there’s a little bit of a rivalry between you and him?

Oh, no. Derek’s the king of the catwalk, you know. I could never compete with Blue Steel. No way.

Do you think he might come to this year’s CFDA Awards?

I don’t know. I think they’re shooting in Europe, right? But if he’s there, that would be amazing.

You could have a walk-off.

[laughs] We’ll see. It would be incredible.

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Designer Payal Singhal is gearing up for her annual trunk show in New York, where she will showcase her collections from the recently concluded Amazon India Fashion Week and Lakme Fashion Week, apart from working on a few collaborations. We speak to the designer about her journey so far and what makes her one of the most sought-after young designers today. Excerpts from the interview:

Q. What is your favourite silhouette? What are the fabrics, colours you like to work with?

A. My favourite silhouette is the relaxed kurta like our mums used to wear in the ’70s. I love to work with silk tulle and the colours usually depend on my mood, but I’m partial to white and pale rose blush.

Q. What is the USP of your brand and who is your target clientele?

A. The Payal Singhal brand USP is easy-to-wear edgy and good quality, affordable clothing. Our target clientele includes women who like to experiment with their clothing, but have their own individual style.

Q. How different is it to design for NRI clients?

A. NRIs love to follow what India and Indian celebrities are wearing. We don’t have to design especially for them, but they prefer clothes that can be worn to even non-Indian events and that’s why they love our designs as these can be worn in every context.

Q. Recently, you collaborated with Bombay Shirt Company (BSC). What made you take up the project?

A. We have created a line of shirts for women that can be worn to work as well as outings. I wanted to make sure we did justice to both the brands. Hence, these are fun shirts, which are also very BSC. Keeping the aesthetic of BSC we have taken classic elements but added a bit of the Payal Singhal aesthetic by making them a bit more feminine and edgy. We made longer shirts with a longer back and mixed prints for that quirky, edgy feel. We have added pink buttons and French cuffs to make them more feminine. I took this up because it was challenging and I wanted to do something new and fun.

Q. Let’s rewind a bit. Even before joining SNDT, you won the Shoppers Stop Designer of the Year award at the age of 15. How did that happen?

A. I was in class 10 and just finished school. There was an ad in the paper announcing a nation-wide contest as a launch for Shoppers Stop. So, I sent in a sketch and they shortlisted me. Then, we had to make the garment and a month later I was invited to the show. I had no idea I had won!

Q. Why did you opt for a second degree from Parsons School of Design and Fashion Institutes of Technology?

A. I think one should never cease to educate and reinvent oneself. Change is the only constant. Both my stints at Parsons and FIT gave me a fresh perspective to my design philosophy and career path.

Q. How did New York impact on your fashion sensibilities?

A. I moved to New York in 2004 for six years. While I was there, I opened my own store in Gramercy Park and made a really special connection with the city and my clients there. The city gave me my design an identity. I knew what I really wanted to do only once I moved to New York.

Q. Tell us about your personal style sutra.

A. I love cool and comfortable clothes that have a sense of understated style on their own and don’t scream for attention. My comfort wear is low crotch pants with a shirt or tunic.

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Take your inspo from these celebs who have been nailing this summer's hottest trends. From gladiator sandals to the new take on Mary-Janes, make it your mission to tick off these summer shoe trends and get ready to storm through the new season in style.

Gladiator Sandals

Thanks to the big boho revival - and the Chloe catwalk - gladiators are back this season and making a case for being one of summer's biggest shoe trends. We're still talking about the classic multi-strapped, lace or buckle-up shape, but for 2015, there are two ways to take on the trend - ankle height or on-the-knee. Which camp will you choose?

Be brave like Chanel Iman - who rocked an on-the-knee pair at Coachella - and try out these glads from Zara.

Alternatively, play it a little safer and slip into a pair of shorter sandals like the gorgeous Bella Thorne. Next have come up trumps with their short gladiator sandal offering.

'70s Sandals

There's no escaping a certain decade this season, with chunky platforms currently flooding the high street, including wooden-soled clog styles and glam-rock strappies. Wood numbers are perfect for day - just add flares or a floaty boho midi, then for evening, team metallic or snakeskin platforms with a jumpsuit or lurex dress for a disco feel. Take your cue from the queen of cool, Beyonce, and slip into a pair of height-enhancing platforms!

Celeb-Loved Strappys

Cannes has seen many a fashion trend made this week but no shoe has been worn by more celebs than the classic two-strap sandal. From Sienna Miller to Rooney Mara, the only shoe to be seen in this season is the simplest of them all! Leg lengthening, super sleek and able to be worn with anything, if you haven't already got a pair, make it your mission now! Go classic like Sienna or make a statement in these snakeys.

The New Mary-Janes

Alexa Chung and Kate Bosworth can't get enough of their Carven flatties, both having worn them more times than we can count! And why? Well because they work season after season and will never date. We've found a lovely pair from Shoesissma which will have you looking celeb-ready in no time!

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Nicole 'Snooki' Polizzi has spoken about how she manages to workout nearly every day even though she's busy raising her small children.

Nicole 'Snooki' Polizzi has done away with carbohydrates. The 27-year-old former Jersey Shore star works out with personal trainer Anthony Michael a minimum of four times per week for sessions lasting between 45 minutes to an hour.

And Snooki is also partaking in his customisable meal system Anthony Michael Fit Food to ensure she takes in the protein and vegetables required to maintain her vigour.

"You don't have to do anything but heat them up," she told People magazine of how easy the pre-packaged meals are to make.

"I eat a lot of grilled chicken and vegetables. He also gives me a turkey burger, which is really, really good."

Although she eats Fit Food often, Snooki also prepares meals herself.

She specialises in quesadillas and pasta dishes featuring her signature homemade sauce.

"And salad is always on the menu with whatever dish I am making," the brunette noted.

Snooki is mother to two-year-old son Lorenzo and eight-month-old daughter Giovanna.

She shares her children with fiancé Jionni LaValle and Snooki is frustrated with how easy it is for him to stay in shape.

"Jionni is more of, like, the lazy type," she joked. "He doesn't really need to work out, and if he does work out, he'll lose like 10lbs in one day. It's so annoying."

But even though Jionni may not want to hit the gym with his fiancée all the time, Snooki doesn't mind.

She works out with people who motivate her.

"I train with my sister-in-law," Snooki said. "We basically do weights every single day and we target different areas. Whether it's biceps, shoulders, abs legs, each day is a different thing and it's fun to do it together as much as we can."

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Jawa Timur menggelar fashion show muslimah bertema utama batik di aula kantor PWNU Jatim, Jalan Masjid Akbar, Surabaya, Sabtu.

Acara dalam rangka memperingati hari lahir (harlah) Ke-65 PW Fatayat NU itu diikuti hampir 38 peserta se-Jatim yang meliputi perwakilan seluruh pimpinan cabang Fatayat NU.

Hasil desain peserta diperagakan model andalan mereka. Tak kalah dengan model profesional, para model Fatayat NU ini juga tampak percaya diri berlenggak-lenggok di atas caltwalk.

Dalam lomba fashion show ini, peserta dari PC Fatayat Bojonegoro meraih juara pertama, sedangkan pemenang kedua diraih oleh peserta dari Nganjuk dan pemenang ketiga dari Fatayat Bangil.

Menurut desainer muslimah yang dinobatkan jadi juri lomba ini, Ana Farhasy, ada beberapa poin dimiliki peserta Bojonegoro sehingga meraih juara.

"Kendati bertemakan busana pesta muslimah, namun desainnya simpel dan elegan. Itu menjadi kelebihan sendiri daripada peserta lain yang banyak menonjolkan aksesoris sehingga tampak berlebihan," katanya.

Selain itu, peserta dari Bojonegoro menampilkan tema gold kayu jati. "Batik yang digunakan asli Bojonegoro," jelas Ana.

Sementara itu, Ketua Fatayat NU Jatim Hikmah Bafaqih mengatakan selain lomba fashion show, kegiatan lain juga digelar dalam rangkaian harlah Fatayat NU itu.

"Ada lomba menulis artikel, lomba menjadi presenter, dan bazar produk unggulan (handycraft) kreasi kader Fatayat di seluruh cabang Fatayat se-Jatim," katanya.

Ia menambahkan, puncak peringatan Harlah Fatayat NU dilaksanakan di kantor PWNU Jatim pada Minggu, 17 Mei 2015. Rencananya, acara puncak dihadiri Menpora Imam Nahrawi, Wagub Jatim Saifullah Yusuf, dan Ketua DPRD Jatim.

"Ketua Umum PP Fatayat NU Hajah Ida Fauziyah tidak bisa hadir karena berbarengan dengan acara prakongres Fatayat di Bandung," katanya.

Mbak Hikmah, sapaan akrabnya, mengemukakan tema yang diambil harlah kali ini adalah "Ikhtiar Fatayat NU menuju Indonesia Berkeadaban".

"Karenanya kita akan terus berusaha untuk melakukan berbagai karya nyata, tentu kita bangun ulang keadaban kita dengan Islam ahlussunnah wal jamaah atau yang kita kenal dengan Islam Nusantara," katanya.

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Melissa Rivers has lashed out at Kathy Griffin.

Melissa Rivers has blasted Kathy Griffin for "sh*tting over" her mother Joan's legacy. Joan was a panellist on TV show Fashion Police up until her death in September last year and was famous for her caustic comments about celebrities' style. Comedian Kathy took over after Joan passed away, but in March she announced she was leaving because she did not "want to use [her] comedy to contribute to a culture of unattainable perfectionism and intolerance towards difference."

Up until now Joan's daughter Melissa, who also produces Fashion Police, hasn't remarked on the comments, but now she's let loose.

"I'm just gonna say it wasn't a match on a lot of levels," she told New York Post's Hoda Kotb at the 92nd Street Y.

"My biggest complaint was the feeling that she kind of sh *t all over my mother's legacy in her statement on leaving. And I know that was not an intentional reading of it, but that's how I felt... by calling the comedy and the style of it old-fashioned. It was like, I understand what you were doing, you're trying to save yourself, but don't c**p all over my mother to do it."

In her leaving statement, Kathy explained she thought she could use her brand of comedy to make fun remarks about people's outfits. "There is plenty to make fun of in pop culture without bringing people's bodies into it," she added.

Shortly before Kathy's announcement Kelly Osbourne also left the programme. She had been upset with a comment Giuliana Rancic made about Zendaya, who was sporting dreadlocks and Giuliana remarked looked like she would "smell of patchouli oil or weed".

Melissa seems convinced the show, which is currently on hiatus, will make it through its current issues. But she remains upset about the impact the problems have had on something her mother loved so much.

"We were a family, cast and crew... and we went back too soon. And just like a family, when the matriarch dies, the sisters started fighting; and someone tried to marry in - not a great match, live and learn," she said. "Fashion Police was a little jewel and it was the last piece I had of my mother... I felt like all these people were so out of control, including the person who made the allegation about racism. They took the last thing I had and smashed it."

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No outfit is complete without shoes. But when it comes to the hanbok look in modern times, a vital part has been missing. Platform heels or loafers have replaced shoes traditionally matched with a hanbok.

A team of academics and an artisan shoemaker launched a rare project to rekindle the tradition.

The project, launched by the private cultural heritage foundation Yeol with sponsorship of GRI Korea ― importer of Nine West and Steve Madden ― revived 30 pairs of shoes worn by kings and nobility during the Joseon Dynasty (1392-1910).

It began with a year of research on traditional shoes by a team of academics of the National University of Cultural Heritage. Based on the research, artisan shoemaker An Hae-pyo, whose family has been devoted to making shoes for four generations, recreated the shoes.

"Although shoes are an inseparable part of our clothing, there has been too little research on traditional Korean shoes," wrote Kim Young-myoung, chair of Yeol, in the exhibition catalogue.

According to professor Choi Gong-ho, who led the research team, the history of shoes has been largely overshadowed by that of clothes.

"Compared to hanbok, research on shoes has been minuscule," said Choi.

The shoes recreated by the shoemaker An and Choi's research are on view at Yeol gallery in the historic district of Bukchon in Seoul. The collection of shoes is diverse in their usage and designs.

Black mid-high boots, "mokhwa," were worn by kings and high-ranking officials. An interesting observation was made regarding Mokhwa by American astronomer Percival Lowell, the author of "Chosun, The Land of the Morning Calm."

His observation read: "During our advance it began to draw upon me why long boots form a part of the court dress, while low shoes are universally worn elsewhere. For in spite of the occasion, I could not be quite oblivious to the character of the ground. The truth was that wherever the paving ceased there was an abundance of mud; and with all due respect to one's bearing, it was at times advisable to pick one's way."

Low shoes, largely categorized as "hye" resembling flat shoes of modern days, were the everyday shoes worn by the high class. The low flat shoes with pointed tips were made in diverse materials such as leather, silk, wool and linen, depending on their usage.

Paintings from Joseon depict men and women of higher ranks wearing the low shoes with the pointed tips.

The low "hye" shoes became popular among lower ranks in the 1920s as they began to be made of rubber.

Leather and silk shoes were luxury items in Joseon society. They were included among wedding gifts sent by grooms to brides. In a royal wedding, fur shoes were often traded as wedding gifts along with expensive silk fabrics, clothes, pillows and blankets.

The exhibition displays a pair of oil-infused waterproof leather shoes that were durable enough to be worn on rainy days. Deer leather was used in the making of "nokbihye" white leather shoes and considered of the best quality.

The flower shoes, "ggotsin," presents the beauty and elegance of Korean traditional shoes.

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Oh, this? It’s vintage.

It’s been only a few months since Jaimi Krost started her online vintage store, The Sleeveless Society, but the idea was years in the making. Following a stint in New York as a buyer for one of the city’s best designer consignment stores, Krost realised the pre-loved market was comparatively untapped in Australia, especially online. Taking matters into her own hands, she returned to her hometown of Sydney to open her own online store for hard-to-come-by vintage. Here, she tells Vogue about becoming a business owner, her biggest buying regrets and why beautiful vintage doesn’t always need a designer label.

What inspired you to start your business?

“I’ve always had a passion and love for vintage. Turing that passion into a business was an obvious decision that I realised through dabbling in many different areas of the fashion industry. I’m grateful to have experienced different avenues as it led me to realise not only what I wanted to do but more so what I didn’t want to do. Owning my own business and having complete creative control in an area I’m so passionate about has been an exciting and exhilarating venture so far.”

Where did the name ‘The Sleeveless Society’ come from?

“I wish I had a cool backstory for the name. Truthfully it came about from a lot of brainstorming and procrastinating. I had a few frontrunners but in the end I went with my gut and chose a name I could imagine growing as my brand. I liked that the word ‘Society’ created a feeling of community. There is an ongoing joke with friends and family in regards to selling only sleeveless clothing. I definitely wasn’t being so literal in my thinking when I came up with the name.”

Where do you source your vintage?

“I source from all over the world, locally and internationally. Most of my current stock I found on a buying trip to New York and Los Angeles, taken soon after deciding to start the business. I source through dealers, wholesalers, flea markets and thrift stores. I also take product on consignment, and have recently introduced a hiring service, where you can hire a piece for a percentage of its selling price.”

What qualities do you look for in vintage?

“When sourcing vintage I look for pieces with a point of difference. Items that stand out and support individuality. Pieces I feel will add to someone’s wardrobe, and complement their personal style. Cut, finish and detail are three important qualities I consider when buying. I ensure all my products represent these things, as well as quality and wearability. I love finding designer vintage, but stumbling across a well-made garment with no label is as exciting to me.”

Do you buy according to what speaks to you?

“Subconsciously, I buy according to my taste and style, and what speaks to me. I don’t necessarily buy for myself, but my personal style is definitely represented. Everything I choose to sell needs to embody a specific level of taste. I have based my business on ‘modern’ vintage. I make sure to keep an eye on current trends and try to source pieces that will fit in with what women want to wear today.”

What is an instant deal-breaker when buying vintage?

“Garment quality is very important. I have passed on many amazing pieces because they were unsalvageable. I have a selection of items collected over time that I archive in my personal collection, but would never consider selling them. I want to be trusted and known for selling high quality products. In saying that, vintage for the most part is pre-owned and obviously has already had a long life before reaching its next home, so this needs to be taken into consideration. If I consider a piece worthy of repair I will definitely do so. Having a sewing background has definitely proven to be a huge plus.”

What should we keep in mind when shopping for vintage especially online?

“Shopping for vintage is very personal. You are buying something that ultimately is going to set you apart, that no one else has and is totally unique to you. When buying vintage for myself I look for impeccable fit and shape. If you find a piece that fits you well, it can last you season after season,. When shopping online make sure to take note of the size, fabric, and care details. We show all clothing on the body, displaying its true fit, shape and style. We also include a description of its condition.”

What are your tips for wearing vintage in a modern way?

“For most people considering vintage I would suggest keeping it simple. Incorporate a statement vintage item or two into your look.”

Are there any vintage items you regret not purchasing?

“Absolutely. I have a long list. I spent a day deciding on a lizard skin Chanel handbag. When I went back to the store first thing the next morning it had sold online overnight. A few years ago, I walked away from an amazing red Valentino skirt in Los Angeles because it was the start of my trip and I wasn’t sure what I would find. It was a good lesson. Something better is most likely not going to be waiting for you around the corner.”

What is your vintage fashion motto?

“If you are lucky enough to find it, and love it, BUY IT. Another which we have printed on a postcard that is sent out with every online order is ‘People will stare. Make it worth their while’ which is a quote from Harry Winston.

If you could own any piece of vintage in the world, what would it be?

“I’m still searching for that perfect vintage Chanel handbag.”

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Beyoncé got what she wanted. She arrived during the last moments of the Met Gala red carpet ceremony Monday night and she sent social media and the assembled photographers into a frenzy.

She was wearing a concoction by Givenchy that can only loosely be called a dress as it was more like a bedazzled scrim. It had little to do with the theme of the exhibition, which the gala is intended to celebrate.

“China: Through The Looking Glass” artfully explores the relationship between the fashion industry and Chinese culture. Several guests made a good faith effort to honour that topic, among them Rihanna — who has been known to wear a scrim or two on the red carpet — with an elaborate yellow extravaganza by the Chinese designer Guo Pei whose work is featured in the exhibit.

Beyoncé’s dress paid homage to the plant-based diet book “The 22-Day Revolution,” for which she wrote the foreward. It spoke of showgirls and Cher and while all of them have an honoured place in popular culture, as an entertainer Beyoncé is arguably more accomplished. She likes to posit that she is thoughtful and deep. She is a feminist. And so, one would expect there to be a certain something to her attire: a wry joke, a provocative aside, a politically savvy wink. Something that goes beyond: Look what a plant-based diet can do!

If there was any tenuous connection to the exhibition, it was that Beyoncé appeared to be paying homage to imperial concubines, with an impeccable, tuxedo clad Jay Z standing in as the emperor. Mr. Beyoncé, by the way, maintained a placid expression during the photo session, one that seemed to suggest that viewers were bearing witness to a wise husband, befuddled by his wife’s chosen ensemble, but standing firm in his belief that his only option for self-preservation is to simply say nothing.

Beyoncé made herself the star of the red carpet, which is to say that she made herself the star of the evening. The Met Gala might ultimately raise funding for the Anna Wintour Costume Center, but as an event it is essentially an expression of fashion’s grandeur and creativity. There is a dinner and there is entertainment, but all of that is an aside. The main course is that long promenade up the steps of the Metropolitan Museum of Art where photographers stand two and three cameras deep and fans cheer from across Fifth Avenue.

A woman — even one who lives her life in the public eye — does not slip into a costume like the one Beyoncé wore without inviting an intimate assessment of the look. What is most disappointing is that as a garment it was rather dull. It lacked finesse and surprise and the kind of titillation that Tom Ford, for instance, managed to stir up with his high-end pasties.

Even more of a disappointment is that the dress failed to show off the marvelous technical skills of Riccardo Tisci, Givenchy’s creative director. (But give the beaders a raise!) In that regard, it missed the point of the evening entirely. The Met Gala is all about the dress. The women who wear them — famous, beautiful, infamous — are meant to direct the eye to a designer’s spectacular feat of craftsmanship.

So much about the Met Gala is orchestrated that it is a challenge to display individual style. But for better or worse women such as Chloe Sevigny in J.W. Anderson and Solange Knowles in a sculptural Giles Deacon mini-dress wore ensembles that spoke to their personal sensibility. Folks may not have liked their choices, but they offered a point-of-view. They made a statement. They were present.

Beyoncé’s choice was hollow. Her legs, her breasts, her torso, her back and her derriere all looked fabulous. But the woman herself was nowhere to be found.

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Forget bright-but-a-bit-boring block colours; don’t even think about sugary sherbet shades – this summer, the rulebook is torn up again and a brash, clashing kaleidoscope of colours looks fresh and fun. Forget Coco Chanel’s little black dress and focus instead on Coco the Clown’s colourful and capacious clothing.

Channelling a rainbow sounds like a migraine-inducing minefield, but even the most shy and retiring types should be able to find something to suit. Street‑smart brand Aries’ marriage of laid-back denim and fiesty embroidery, or a pair of snazzy shoes from the likes of Malone Souliers or Sophia Webster, are perfect ways to dip a toe in the trend.

You can’t help but feel optimistic when you’re dressed in bright, vibrant shades – which makes the trend perfect for holidays and summer excursions. But don’t limit yourself to off-duty days; injecting a bit of cheer before you battle through your commute can’t hurt, and there are sleek, workplace-ready versions of the look alongside the more jovial takes – not least Roksanda’s version of modern power dressing.

Even if you’ve always had a penchant for parading, some restraint should be shown. Avoid dressing head-to-toe in the look, unless, that is, you want to channel a children’s TV presenter or a colourful patchwork elephant.

Maybe it’s those pop-culture connotations, but brights are usually seen as the preserve of the youthful. However,, it often takes the sort of confidence that only comes with age to be able to pull them off with the necessary aplomb. You’d do well to look to Iris Apfel for inspiration – that’s sage advice whatever the quandary, but in this case refers to the nonagenarian New Yorker’s bright and beautiful life and style, which is documented in a soon-to-be-released documentary by the late filmmaker Albert Maysles.

The future’s bright, the future’s orange... and red, and yellow, and green and blue.

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